<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Diane</id>
	<title>feralcomputing - User contributions [en]</title>
	<link rel="self" type="application/atom+xml" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Diane"/>
	<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/Special:Contributions/Diane"/>
	<updated>2026-04-16T16:47:33Z</updated>
	<subtitle>User contributions</subtitle>
	<generator>MediaWiki 1.32.0</generator>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=122</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=122"/>
		<updated>2007-09-09T22:38:35Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Sept. 10-14&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   || research || research |x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||  research || researchx ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   || research  || research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||  research ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director'sMtg  ||IAT102prep||   research|| research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||IAT102prep   ||   research||  research ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||IAT 102   ||  research || research  ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  || research  ||  research||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   || IAT 102  || research  ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 102  || research|| research ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  ||research ||  research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   ||  research ||research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   || research  || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   || research || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   || research ||  research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Sept. 17-21&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   || research || research |x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||  research || researchx ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   || research  || research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||  research ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director'sMtg  ||IAT102prep||   research|| research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||IAT102prep   ||   research||  research ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||IAT 102   ||  research || research  ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  || research  ||  research||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||Robin|| IAT 102  || research  ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 102  || research|| research ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  ||research ||  research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   ||  research ||research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   || research  || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   || research || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   || research ||  research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=121</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=121"/>
		<updated>2007-09-09T22:37:50Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Sept. 10-14&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   || research || research |x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||  research || researchx ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   || research  || research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||  research ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director'sMtg  ||IAT102prep||   research|| research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||IAT102prep   ||   research||  research ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||IAT 102   ||  research || research  ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  || research  ||  research||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   || IAT 102  || research  ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 102  || research|| research ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  ||research ||  research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   ||  research ||research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   || research  || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   || research || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   || research ||  research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Sept. 17-21&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   || research || research |x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||  research || researchx ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   || research  || research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||  research ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director'sMtg  ||IAT102prep||   research|| research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||IAT102prep   ||   research||  research ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||IAT 102   ||  research || research  ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  || research  ||  research||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   || IAT 102  || research  ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 102  || research|| research ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  ||research ||  research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   ||  research ||research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   || research  || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   || research || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   || research ||  research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=120</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=120"/>
		<updated>2007-09-09T22:36:17Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   || research || research |x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||  research || researchx ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   || research  || research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||  research ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director'sMtg  ||IAT102prep||   research|| research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||IAT102prep   ||   research||  research ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||IAT 102   ||  research || research  ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  || research  ||  research||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   || IAT 102  || research  ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 102  || research|| research ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  ||research ||  research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   ||  research ||research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   || research  || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   || research || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   || research ||  research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=119</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=119"/>
		<updated>2007-09-09T22:35:46Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   || research || research |x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||  research || researchx ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   || research  || research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||  research ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director'sMtg  ||  ||   research|| research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||IAT102prep   ||   research||  research ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||IAT 102   ||  research || research  ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  || research  ||  research||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   || IAT 102  || research  ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 102  || research|| research ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  ||research ||  research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   ||  research ||research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   || research  || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   || research || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   || research ||  research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=118</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=118"/>
		<updated>2007-09-09T22:35:18Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   || research || research |x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||  research || researchx ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   || research  || research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||  research ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director'sMtg  ||  ||   research|| research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   research||  research ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||IAT 102   ||  research || research  ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  || research  ||  research||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   || IAT 102  || research  ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 102  || research|| research ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  ||research ||  research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   ||  research ||research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   || research  || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   || research || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   || research ||  research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=117</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=117"/>
		<updated>2007-09-09T22:34:41Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   || research || research |x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||  research || researchx ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   || research  || research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||  research ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director'sMtg  ||  ||   research|| research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   research||  research ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||  research || research  ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  || research  ||  research||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   || IAT 102  || research  ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 102  || research|| research ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  ||research ||  research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   ||  research ||research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   || research  || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   || research || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   || research ||  research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=116</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=116"/>
		<updated>2007-09-09T22:34:22Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   || research || research |x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||  research || researchx ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   || research  || research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||  research ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director's  ||  ||   research|| research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   research||  research ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||  research || research  ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  || research  ||  research||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   || IAT 102  || research  ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 102  || research|| research ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  ||research ||  research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   ||  research ||research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   || research  || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   || research || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   || research ||  research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=115</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=115"/>
		<updated>2007-09-09T22:33:34Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   || research || research |x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||  research || researchx ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   || research  || research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||  research ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director's  ||  ||   research|| research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   research||  research ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||  research || research  ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  || research  ||  research||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   || IAT 102  || research  ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   ||   || research|| research ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  ||research ||  research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   ||  research ||research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   || research  || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   || research || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   || research ||  research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=114</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=114"/>
		<updated>2007-09-09T11:50:14Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   || research || research |x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||  research || researchx ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   || research  || research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||  research ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director's  ||  ||   research|| research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   research||  research ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||  research || research  ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  || research  ||  research||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   || IAT 102  || research  ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 233 TA  || research|| research ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  IAT 233 TA ||research ||  research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   IAT 233 TA||  research ||research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   || research  || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   || research || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   || research ||  research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=113</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=113"/>
		<updated>2007-09-09T11:48:34Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   || research || research |x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||  research || researchx ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   || research  || research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||  research ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director's  ||  ||   research|| research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   research||  research ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||  research || research  ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  || research  ||  research||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   || IAT 102  || research  ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 233 TA  || research|| research ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  IAT 233 TA ||research ||  research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   IAT 233 TA||  research ||research||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   || research  || research||research|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   || research || research||research|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   || research ||  research||research|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=112</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=112"/>
		<updated>2007-09-09T11:47:03Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   ||   || research |x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||  research || researchx ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   || research  || research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||  research ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director's  ||  ||   research|| research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   research||  research ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||  research || research  ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  || research  ||   x||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   || IAT 102  || research  ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 233 TA  || research||  x ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  IAT 233 TA ||research ||  x ||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   IAT 233 TA||  research ||x||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   || research  || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   || research || research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   || research ||  research||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=111</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=111"/>
		<updated>2007-09-09T11:45:53Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   ||   || research ||research||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||  research || researchx ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   || research  || research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||  research ||  research ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director's  ||  ||   research|| research  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   research||  research ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||  research || research  ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  || research  ||   x||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   || IAT 102  || research  ||  x ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 233 TA  || research||  x ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  IAT 233 TA ||research ||  x ||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   IAT 233 TA||  research ||x||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   || research  || x||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   || research || x||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   || research ||  x||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=110</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=110"/>
		<updated>2007-09-09T11:44:29Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   ||   || research ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||  research ||  x ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   || research  || x  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||  research ||  x ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director's  ||  ||   research|| x  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   research||  x ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||  research || x  ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  || research  ||   x||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   || IAT 102  || research  ||  x ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 233 TA  || research||  x ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  IAT 233 TA ||research ||  x ||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   IAT 233 TA||  research ||x||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   || research  || x||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   || research || x||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   || research ||  x||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=109</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=109"/>
		<updated>2007-09-09T11:42:15Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   ||   || x  ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||   ||  x ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   ||   || x  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||   ||  x ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director's  ||  ||   || x  ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   ||  x ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||   || x  ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  ||   ||   x||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   || IAT 102  ||   ||  x ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 233 TA  ||   ||  x ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  IAT 233 TA ||   ||  x ||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   IAT 233 TA||   ||x||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   ||   || x||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   ||   || x||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   ||   ||  x||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=108</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=108"/>
		<updated>2007-09-09T11:40:46Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director's  ||  ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   || IAT 102  ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 233 TA  ||   ||   ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  IAT 233 TA ||   ||   ||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   IAT 233 TA||   ||   ||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   ||   ||   ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   ||   ||   ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   ||   ||   ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=107</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=107"/>
		<updated>2007-09-09T11:40:16Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director's  ||  ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  ||  IAT 102 ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 233 TA  ||   ||   ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  IAT 233 TA ||   ||   ||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   IAT 233 TA||   ||   ||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   ||   ||   ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   ||   ||   ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   ||   ||   ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=106</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=106"/>
		<updated>2007-09-09T11:39:40Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    ||    ||  Director's  ||  ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 233 TA  ||   ||   ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  IAT 233 TA ||   ||   ||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   IAT 233 TA||   ||   ||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   ||   ||   ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   ||   ||   ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   ||   ||   ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=105</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=105"/>
		<updated>2007-09-08T03:55:02Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    || Director's    ||   ||  ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 233 TA  ||   ||   ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  IAT 233 TA ||   ||   ||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   IAT 233 TA||   ||   ||x|| x&lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   ||   ||   ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   ||   ||   ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   ||   ||   ||x|| x&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=104</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=104"/>
		<updated>2007-09-08T03:54:32Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    || Director's    ||   ||  ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||   ||   ||x||x &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   ||   ||   ||   ||x||x &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 233 TA  ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  IAT 233 TA ||   ||   ||x|| &lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   IAT 233 TA||   ||   ||x|| &lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=103</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=103"/>
		<updated>2007-09-08T03:53:56Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   ||   ||   ||x|| &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||   ||   ||x|| &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    || Director's    ||   ||  ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   ||   ||x|| &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||   ||   ||x|| &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   ||   ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 233 TA  ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  IAT 233 TA ||   ||   ||x|| &lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   IAT 233 TA||   ||   ||x|| &lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=102</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=102"/>
		<updated>2007-09-08T03:53:29Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    || Director's    ||   ||  ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   ||   ||x|| &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||   ||   ||x|| &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   ||   ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 233 TA  ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  IAT 233 TA ||   ||   ||x|| &lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   IAT 233 TA||   ||   ||x|| &lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=101</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=101"/>
		<updated>2007-09-08T03:51:35Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    || Director's    ||   ||  ||   ||   ||x|| &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 233 TA  ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  IAT 233 TA ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   IAT 233 TA||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=100</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=100"/>
		<updated>2007-09-08T03:51:01Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    || Director's    ||   ||  ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||     ||  Feral Meeting ||   ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||BarneSong||  IAT 102  ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 233 TA  ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  IAT 233 TA ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   IAT 233 TA||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=99</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=99"/>
		<updated>2007-09-08T03:00:54Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    || Director's    ||   || HVI Meeting  ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||    IAT ||  Feral Meeting ||   ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|2pm ||     || Feral Meeting  ||   ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||   ||  IAT 102  ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 233 TA  ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  IAT 233 TA ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   IAT 233 TA||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=98</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=Main_Page&amp;diff=98"/>
		<updated>2007-09-08T02:59:21Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Diane's Giant To-Do List'''&lt;br /&gt;
&lt;br /&gt;
*Weekly schedule for Fall 2007&lt;br /&gt;
{| border=&amp;quot;1&amp;quot;&lt;br /&gt;
|- &lt;br /&gt;
|    ||  Monday  || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday&lt;br /&gt;
|- &lt;br /&gt;
|8am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|9am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|10am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|11am ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|12 pm    || IAT 233 TA    ||   || HVI Meeting  ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|1pm ||    IAT 233 TA ||  Feral Meeting ||   ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|2pm || IAT 233 TA    || Feral Meeting  ||   ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|3pm ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|4pm ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|5pm    ||     ||   || IAT 233 TA  ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|6pm ||     ||   ||  IAT 233 TA ||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|7pm ||     ||   ||   IAT 233 TA||   ||   ||   || &lt;br /&gt;
|- &lt;br /&gt;
|8pm ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|9pm ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|10pm   ||     ||   ||   ||   ||   ||   || &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
'''Meta Themes:''' &lt;br /&gt;
&lt;br /&gt;
'''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
'''1. Finish dissertation writing'''&lt;br /&gt;
&lt;br /&gt;
1a. Dissertation website&lt;br /&gt;
&lt;br /&gt;
1b. Dissertation CDROM&lt;br /&gt;
&lt;br /&gt;
'''2. Project with Yacov and Margaret''' (infoviz, gesture?)&lt;br /&gt;
&lt;br /&gt;
'''3. Meatbook'''&lt;br /&gt;
&lt;br /&gt;
3a. Meatbook Exhibit&lt;br /&gt;
&lt;br /&gt;
3b. Meatbook Theory&lt;br /&gt;
&lt;br /&gt;
'''4. Biomorphic Typography (redo)'''&lt;br /&gt;
&lt;br /&gt;
4a. Mariam?&lt;br /&gt;
&lt;br /&gt;
4b. Robert Bringhurst&lt;br /&gt;
&lt;br /&gt;
4c. Find Student&lt;br /&gt;
&lt;br /&gt;
4d. Princeton Book&lt;br /&gt;
&lt;br /&gt;
4e. Comm. Comm. Book&lt;br /&gt;
&lt;br /&gt;
'''5. Dervish Video Redo'''&lt;br /&gt;
&lt;br /&gt;
'''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries&lt;br /&gt;
&lt;br /&gt;
'''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)&lt;br /&gt;
&lt;br /&gt;
'''8. Imperfect Bodies'''&lt;br /&gt;
&lt;br /&gt;
'''9. Pain''' - Leonardo Issue&lt;br /&gt;
&lt;br /&gt;
'''10. Medical Visualization''' - Cross cultural history of medicine&lt;br /&gt;
&lt;br /&gt;
'''11. Meditation Chamber''' (with Niranjan)&lt;br /&gt;
&lt;br /&gt;
'''12. Bioterrorism Game'''&lt;br /&gt;
&lt;br /&gt;
'''13. Just Atonable Difference'''&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Research: The MeatBook'''&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''1. create SFU contract between DGr &amp;amp; JC&lt;br /&gt;
&lt;br /&gt;
2. collect prior MeatBook work&lt;br /&gt;
  ''' &lt;br /&gt;
a) will be found on BOTH the large computer AND laptop; &lt;br /&gt;
&lt;br /&gt;
b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)&lt;br /&gt;
&lt;br /&gt;
please condense to one place (large computer)&lt;br /&gt;
&lt;br /&gt;
create and place all of it in a folder titled MEATBOOK06&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''3. literature review'''&lt;br /&gt;
&lt;br /&gt;
search for prior art related to meat. &lt;br /&gt;
&lt;br /&gt;
Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor &lt;br /&gt;
comprised of cold cuts (in artbook that is inside inflated plastic pillow).&lt;br /&gt;
plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day&lt;br /&gt;
&lt;br /&gt;
and visceral-provoking art (historical stuff by Francis Bacon, painter)&lt;br /&gt;
&lt;br /&gt;
ALso be sure to find TALKS that include the video and include them in the archive.&lt;br /&gt;
&lt;br /&gt;
[concept 1: &amp;quot;the abject&amp;quot; Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]&lt;br /&gt;
[concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;&lt;br /&gt;
familiarity let's users touch it]&lt;br /&gt;
[concept 3: animism ]&lt;br /&gt;
&lt;br /&gt;
WIRELESS: dropping on pedestal; &lt;br /&gt;
people passing it around (JC)&lt;br /&gt;
&lt;br /&gt;
factor: rotting conceptual, &lt;br /&gt;
&lt;br /&gt;
'''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder, &lt;br /&gt;
in a subfolder titled PRIOR ART'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''[[PRIOR ART]]''' updated by Jinsil&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''5. for talk in Stockholm, reshoot prototype (video)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6. edit, debug, make sure it runs on Gromala's laptop&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''&lt;br /&gt;
&lt;br /&gt;
test CD to make sure it will run on other computers&lt;br /&gt;
&lt;br /&gt;
copy the CD&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''8. Here, let's discuss the conceptual issues.'''&lt;br /&gt;
&lt;br /&gt;
 (insert here)&lt;br /&gt;
&lt;br /&gt;
phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); &amp;quot;visceral&amp;quot; (i.e., 2cd brain); pre-conscious reaction &amp;quot;reading&amp;quot; of quivvering meat&lt;br /&gt;
&lt;br /&gt;
paradox of meat and text&lt;br /&gt;
&lt;br /&gt;
teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).&lt;br /&gt;
&lt;br /&gt;
Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.&lt;br /&gt;
So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).&lt;br /&gt;
&lt;br /&gt;
Humanistic argument (that I also challenged with the biomorphic typography).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
paradox 2 is meat is dead but it quivers (animisim)&lt;br /&gt;
&lt;br /&gt;
challenging the notion of representation&lt;br /&gt;
we are not representing, the meatbook IS the thing, not a representation of something else (as text is)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''9. Technical issues:'''&lt;br /&gt;
&lt;br /&gt;
decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior&lt;br /&gt;
&lt;br /&gt;
preservatives;&lt;br /&gt;
&lt;br /&gt;
technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
'''Research: Interactive Typography'''&lt;br /&gt;
&lt;br /&gt;
'''[[Relevant/Prior Art]]'''&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=1046</id>
		<title>PRIOR ART</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=1046"/>
		<updated>2007-02-08T06:08:08Z</updated>

		<summary type="html">&lt;p&gt;Diane: /* 16. the experiment */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=96</id>
		<title>PRIOR ART</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=96"/>
		<updated>2007-02-08T06:07:42Z</updated>

		<summary type="html">&lt;p&gt;Diane: /* 16. the experiment */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=95</id>
		<title>PRIOR ART</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=95"/>
		<updated>2007-02-08T06:05:57Z</updated>

		<summary type="html">&lt;p&gt;Diane: /* 30. Wayne Martin Belger */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=File:Skull.jpg&amp;diff=1128</id>
		<title>File:Skull.jpg</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=File:Skull.jpg&amp;diff=1128"/>
		<updated>2007-02-08T06:05:41Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=94</id>
		<title>PRIOR ART</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=94"/>
		<updated>2007-02-08T06:03:40Z</updated>

		<summary type="html">&lt;p&gt;Diane: /* 29. The stars of Saatchi's Britart Collection */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=93</id>
		<title>PRIOR ART</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=93"/>
		<updated>2007-02-08T06:03:21Z</updated>

		<summary type="html">&lt;p&gt;Diane: /* 28. Jiri David */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=92</id>
		<title>PRIOR ART</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=92"/>
		<updated>2007-02-08T06:03:02Z</updated>

		<summary type="html">&lt;p&gt;Diane: /* 27. Gabriela Rivera */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=91</id>
		<title>PRIOR ART</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=91"/>
		<updated>2007-02-08T06:02:30Z</updated>

		<summary type="html">&lt;p&gt;Diane: /* 26. Survival Research Lab */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=90</id>
		<title>PRIOR ART</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=90"/>
		<updated>2007-02-08T06:01:58Z</updated>

		<summary type="html">&lt;p&gt;Diane: /* 28. Jiri David */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=File:Mapa_sveta.jpg&amp;diff=1126</id>
		<title>File:Mapa sveta.jpg</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=File:Mapa_sveta.jpg&amp;diff=1126"/>
		<updated>2007-02-08T06:01:41Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=89</id>
		<title>PRIOR ART</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=89"/>
		<updated>2007-02-08T06:01:10Z</updated>

		<summary type="html">&lt;p&gt;Diane: /* 27. Gabriela Rivera */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=File:GabrielaRivera.jpg&amp;diff=1127</id>
		<title>File:GabrielaRivera.jpg</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=File:GabrielaRivera.jpg&amp;diff=1127"/>
		<updated>2007-02-08T06:00:48Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=88</id>
		<title>PRIOR ART</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=88"/>
		<updated>2007-02-08T06:00:05Z</updated>

		<summary type="html">&lt;p&gt;Diane: /* 26. Survival Research Lab */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=File:RABOT.jpg&amp;diff=1125</id>
		<title>File:RABOT.jpg</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=File:RABOT.jpg&amp;diff=1125"/>
		<updated>2007-02-08T05:59:26Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
	<entry>
		<id>http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=87</id>
		<title>PRIOR ART</title>
		<link rel="alternate" type="text/html" href="http://feralcomputing.wiki.iat.sfu.ca/feralcomputing/index.php?title=PRIOR_ART&amp;diff=87"/>
		<updated>2007-02-08T05:57:36Z</updated>

		<summary type="html">&lt;p&gt;Diane: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Diane</name></author>
		
	</entry>
</feed>