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| − | '''Diane's Giant To-Do List''' | + | '''To-Do List''' |
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| − | *Weekly schedule for Fall 2007
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| − | {| border="1"
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| − | | || Monday || Tuesday || Wednesday || Thursday || Friday || Saturday || Sunday
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| − | |8am || || || || || || ||
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| − | |9am || || || || || || ||
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| − | |10am || || || || || || ||
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| − | |11am || || || || || || ||
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| − | |12 pm || Director's || || || || ||x||
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| − | |1pm || || Feral Meeting || || || ||x||
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| − | |2pm || || Feral Meeting || || || ||x||
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| − | |3pm || ||BarneSong|| IAT 102 || || ||x||
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| − | |4pm || || || || || ||x||
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| − | |5pm || || || IAT 233 TA || || ||x||
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| − | |6pm || || || IAT 233 TA || || ||x||
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| − | |7pm || || || IAT 233 TA|| || ||x||
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| − | |8pm || || || || || ||x||
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| − | |9pm || || || || || ||x||
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| − | |10pm || || || || || ||x||
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| − | |}
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| − | ----
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| − | '''Meta Themes:'''
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| − | '''Teaching (Speculative Design and Bio) , Biomedia, Interspecies Design Inspiration, Natural Reality'''
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| − | ----
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| − | '''1. Finish dissertation writing'''
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| − | 1a. Dissertation website
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| − | 1b. Dissertation CDROM
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| − | '''2. Project with Yacov and Margaret''' (infoviz, gesture?)
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| − | '''3. Meatbook'''
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| − | 3a. Meatbook Exhibit
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| − | 3b. Meatbook Theory
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| − | '''4. Biomorphic Typography (redo)'''
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| − | 4a. Mariam?
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| − | 4b. Robert Bringhurst
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| − | 4c. Find Student
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| − | 4d. Princeton Book
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| − | 4e. Comm. Comm. Book
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| − | '''5. Dervish Video Redo'''
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| − | '''6. Proprioception''' - Unexplainable/Unexplicable awareness and boundaries
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| − | '''7. Grasp''' (minority report) - Gesture = anthropology x disability (limits) x exercise (mobility improvement)
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| − | '''8. Imperfect Bodies'''
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| − | '''9. Pain''' - Leonardo Issue
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| − | '''10. Medical Visualization''' - Cross cultural history of medicine
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| − | '''11. Meditation Chamber''' (with Niranjan)
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| − | '''12. Bioterrorism Game'''
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| − | '''13. Just Atonable Difference'''
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| − | ----
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| − | '''Research: The MeatBook'''
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| − | ----------------
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| − | '''1. create SFU contract between DGr & JC
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| − | 2. collect prior MeatBook work
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| − | '''
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| − | a) will be found on BOTH the large computer AND laptop;
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| − | b) other people's writing (start: Intelligent Agent, writing by Eugene Thacker, etc.)
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| − | please condense to one place (large computer)
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| − | create and place all of it in a folder titled MEATBOOK06
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| − | ----------------
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| − | '''3. literature review'''
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| − | search for prior art related to meat.
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| − | Be sure to find:Jana Sterbak (Canadian), the (Italian?) guy who created a parquet floor
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| − | comprised of cold cuts (in artbook that is inside inflated plastic pillow).
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| − | plus Centre Pompidou (food exhibit?) guy had a steak on the wall that fell down the wall day by day
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| − | and visceral-provoking art (historical stuff by Francis Bacon, painter)
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| − | ALso be sure to find TALKS that include the video and include them in the archive.
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| − | [concept 1: "the abject" Julia Kristeva, threatening mortality, disturbs your body image; Gromala wants sustained visceral interaction]
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| − | [concept 2: historically, art has been about representation not the thing itself; meatbook befuddles that notion, primary issue for interactive art; Tissue Culture work should ellicit a visceral response, but usually it doesn't or it is abject;
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| − | familiarity let's users touch it]
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| − | [concept 3: animism ]
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| − | WIRELESS: dropping on pedestal;
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| − | people passing it around (JC)
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| − | factor: rotting conceptual,
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| − | '''4. place all the prior art, including images and text files (be sure to include citation info) in the MEATBOOK folder,
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| − | in a subfolder titled PRIOR ART'''
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| − | '''[[PRIOR ART]]''' updated by Jinsil
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| − | ----------------
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| − | '''5. for talk in Stockholm, reshoot prototype (video)
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| − | 6. edit, debug, make sure it runs on Gromala's laptop
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| − | 7. create an archive of all info; put on a CDROM entitled MEATBOOK 2006 ARCHIVE'''
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| − | test CD to make sure it will run on other computers
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| − | copy the CD
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| − | ----------------
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| − | '''8. Here, let's discuss the conceptual issues.'''
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| − | (insert here)
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| − | phenomenology (Merleau-Ponty), Bataille (the wound; tears of eros); "visceral" (i.e., 2cd brain); pre-conscious reaction "reading" of quivvering meat
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| − | paradox of meat and text
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| − | teleological argument about text: it led to the dimunition of the senses since people no longer sit around a campfire in real-time, as a community (though I wonder how many communities didn't just resort to eating each other or raiding).
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| − | Thus, we are not nec. present in real-time; cannot see, smell, kinesthetically relate to gestures, share food.
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| − | So senses are condensed to the visual (and sublingual, according to some who think that when we read we kind of move our tongue as if silently reading).
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| − | Humanistic argument (that I also challenged with the biomorphic typography).
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| − | paradox 2 is meat is dead but it quivers (animisim)
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| − | challenging the notion of representation
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| − | we are not representing, the meatbook IS the thing, not a representation of something else (as text is)
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| − | '''9. Technical issues:'''
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| − | decay, stink, legal preventatives, role of dead animal/carnivore/commodified predatorial behavior
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| − | preservatives;
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| − | technical; degrading times (rubber, silicone, fingernail polish) poking thru, old people skin on bone during humid degrading
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| − | ---
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| − | '''Research: Interactive Typography'''
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| − | '''[[Relevant/Prior Art]]'''
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